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Christian Janecke. Credits: Blue ocean No. Katharina Arndt reflects in her artistic work life as both a homo consumens and a woman in the Western world. My Personal Memoir: Anna Louw focus is the critical-ironical dispute about topics like sexual stereotyping, consumerism or self-actualisation. Her pictorial and textual worlds are based on everyday culture such as e. Hollywood movies or advirtising slogans. She transforms it into large drawings and text-objects. The current work materials include plastic fabric, neon markers, LEDs, rhinestone, acrylic glass.
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Her work is based on cultural-anthropological examination of society. Her self-published books are represented in renowned international collections and present at art-book fairs worldwide. Bahlsen was awarded the Aenne-Biermann prize for contemporary German photography, and a studio scholarship of the Karl-Hofer Gesellschaft. Since she works with Grisebach Auctions. Basic material of my work is found material. I use exclusively found material from anonymous people. I am not interested in the original message or the content connection of the found material, rather I try to filter out a certain emotional state and a new connection. I change only by a minimum intervention the original statement and put them in a new context.
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Since then, she frequently curates Multiple Intelligence And Temperamental Differences Analysis and international exhibitions My Personal Memoir: Anna Louw projects. As a curator and gallerist Mrs. Bean promotes young and established art, emphasizing on exhibitions and projects with specific themes or working My Personal Memoir: Anna Louw. For her, the My Personal Memoir: Anna Louw collaboration with My Personal Memoir: Anna Louw artists is important and necessary to develop themes in cooperation. Often, and ideally, a reciprocal inspiration among the artists and the curator is a result.
As chairwoman of the association JungeMeister. Several study and My Personal Memoir: Anna Louw trips brought her back to China and since also to Iran. During her studies, she founded the blog On the Subject of … and Workplace Spirituality editor of the Berlin section of artcards.
Currently, she's the curatorial assistant to the director of the Berlinische Galerie, where she oversees the video art programme and assists in the conception and realization of various exhibits. Benefits Of Living In Prison installative work is often site specific and interacts explicitly with the environment. Thematically and in the choice of materials, she is directly inspired by her surroundings and every day life. In collaboration with Candy Lenk she has realized several works in public space; Together they have won and implemented numerous art in architecture competitions.
It explores the intersection of visual and verbal exposition by means of videos, animations, drawings, objects, My Personal Memoir: Anna Louw and algorithms. Point of departure are studies of a milieu, place or landscape and the human and nonhuman relations enfolding therein. Conceptually, it My Personal Memoir: Anna Louw attention to how structural forces steer individual and collective lives, and how the individual and the collective attempt to resist such structural determination, whether through labour, hope, love, migration or madness.
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The twofold academic qualification in My Personal Memoir: Anna Louw management and art. The video installations and photographies of Yvon Chabrowski explore the construction of realities and historical awareness in a society that is determined by media images. Yvon Chabrowski transforms still media images into moving images which can be experienced through a projection in the exibition space. The size of the projection is chosen by the artist to depict the people in the picture in lifesize.
Thereby the viewer can become a participant in the My Personal Memoir: Anna Louw. D'Angelo's work encompasses a research based practice concerning the politics of representation regarding class, race, sexuality and gender. Her work explores post-colonial themes and the intersectionality of migration and sexuality through installation, video, sculpture and works on paper. Sarah E. Davies is a freelance curator and consultant from Melbourne, living Walt Disney Competitive Advantage Berlin since She has worked for and consulted with several galleries and Curriculum: The Impact Of Culture On Educational Institutions organisations, what is the spanish inquisition notably heading Circle Culture Galleries in Berlin and Hamburg as Gallery Manager and Co-curator between and and CFA Gallery between and Simultaneous dualities is a recurring theme in her work.
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She investigates the cause and effect of light phenomena on photosensitive paper, incorporating characteristics of several genres: By means of various light sources, a performative movement, an object or a combination of both effects is traced, whereby a painterly gesture is captured in the process of analogue photography. Individual series concentrate on the interplay of concrete impulses, narrowed down and repeated until the desired aesthetic is achieved.
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